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About this Journal
This is the journal of the Anonymous Omiscient Observer, who endeavors to explain the fictional world of Bella and Chain.
Or maybe the observer has other goals.
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Dec. 18th, 2005 @ 10:38 pm Barris comes to Harry
Barris came over to Harry’s apartment and found Monkey already there. “I think it’s time to clue them in as much as we can,” Barris said. “In spite of the gaps in our knowledge.”
Monkey curled a lip.
“We can leave you out of it for the time being,” Harry said. “I agree. I was hoping to have a fuller picture before doing this but they’re stafrting to get threats.”
“You’re right, Monkey,” Barris said. “The Factions are stupid. The threats are red herrings. The real seduction will come afterwards, and soon.”
“Not so soon,”Harry said, looking at the oddly decorated calendar spread out page by page over the bare mattress. “It’s almost three weeks to the dark of the moon.”
Monkey jumped on to the bed. He shook his head at the calendars and jumped off.
“What do you expect?” Harry said. “Dogs can’t read.”
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Dec. 18th, 2005 @ 10:36 pm (no subject)
The disagreement between Harry and Monkey over the advisability of completing the reservoir circle ritual was rooted in the difference in their understanding of the nature of two of the factions. Soon events would clear up that ambiguity, though not others, and would allow them to come to a consensus on the handling of the reservoirs, the entities that dwelled there, and the factional structures they impinged upon.
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Dec. 5th, 2005 @ 10:36 pm (no subject)
Harry Smith received a message. It arrived in a small box wrapped in brown paper, with a return address he recognized. He didn’t open the box. He didn’t need to.
The return address was not in this world.
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Dec. 1st, 2005 @ 10:33 pm The Universal Cafe
The Universal Cafe
You find these places now and then, even now. They look almost as they did in 1968, only a little dustier. Painted windows, stained glass doodads and prisms vying for light space with the ferns and wandering-jews. Tables made of distressed planks covered with thick yellow resin embedded with souvenirs. Cacophonous posters, advertising illegible events, some faded (both posters and events). Framed manifestos next to the hallway to the bathrooms. Chalkboard menu. Worn pine floors. Bus yourself and three threadbare couches around a potbelly stove.
That's the Universal Cafe. You expect a tired old hippie behind the display case and a menu distinguished by alfalfa sprouts and sunflower seeds. You expect the pile of magzines in the basket to be heavy on the New Age, and the music to be the same things your mother got tired of in 1973. Look again. There's a bar in the back, complete with a pool table and a tiny dias in the corner which is used as a stage for special events. Nights, there's a rotating menu of ethnic dinners produced by the owner's ex-wives and ex-sisters and ex-mothers in law. Days, the breakfasts are the heavy kind, rich with sausage, even the jook, which is available everyday but Sunday, when the menu includes menudo.
Abel -- the owner, who is there most of the time, though he has officially passed much of the business on to his grandchildren -- is a mystery. He has an accent, but everyone has their own theory about it. He tells obvious lies about his early years and answers questions with more obvious lies. Questions or attempts to call his lies achieve nothing but an enigmatic smile or mock outrage. Upstairs there's two apartments. One is occupied by a younger granddaughter and her baby, and the other is the residence of the relief bartender, who is a werewolf and cute as a button, even with the muscles he has.
You can see what is Universal about the Universal Cafe. Its framed manifesto is clearly about justice and tolerance, but don't look at it too closely -- it reads as if it had been run through the translation engine too many times, through too many unlike languages, and the longer you study it the less certain you are that you understand it.
Abel knows most of his customers by name, even the ones who have only been there once or twice. He never asks twice -- most people can't remember having been asked their names once. Whatever business is being done, Abel has an ex-in-law who has the solution to it, the material, the manufacturer, the market, the maven. Before about three o'clock in the afternoon, the bar isn't much of a bar, and Abel can be found there, sitting at a table with other mysterious old men, the color of old newsprint and dry as August, drinking shot glasses of nasty obscure liquors and talking so softly that the only thing you're sure of is that the language they're speaking isn't your own.
Of course Abel knows Harry. He's known Harry since way back when. He has a few of Harry's boxes from the last time Harry left town.
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Nov. 26th, 2005 @ 10:30 pm Naming the Factions
Harry Smith clicked his tongue and Monkey came running into the lobby. "Yeah," Harry drawled as Monkey sat alert with his head cocked to one side. "You liking this round? What did you do to piss them off this time? Piss in his eye? That's about all you hadn't done already."
Monkey didn't say anything, of course, but you could tell he was shrugging, unrepentant.
"I agree," said Harry. "But I get away with it, and you don't."
He opened his door and the two went in. "Oh, I got something for you. You can have it while I get the other stuff ready."
He opened the dark green mini refrigerator which shared a card table with a microwave which had once been white. He withdrew a ragged looking bone which Monkey regarded with suspicion.
"Don't give me that," said Harry. "You're a dog. Take it, you'll like it."
Monkey took the bone and set to gnawing it while Harry rummaged around among his boxes. Harry took an item each out of several boxes, including one near the bottom of a rearwards stack, and laid them out on the bed, which he had stripped of linen in the morning. "Okay," he said.
Monkey left the bone and leapt to the top of the bed, sitting at the head of it.
"The movements of the Factions have been disturbing my equanimity," Harry said. "The Spectrum was all right -- I got a 1929 Blake Finney and His Red Hot Vinegar Busters record off Lars and he was damned happy to give it to me when I traded him those lyrics for 'Monkey on a String.' He thinks he's going to make big points with his Faction over that but when he renders it he's going to discover it's innocuous as tapioca pudding. Okay? That's the Spectrum."
Monkey made a dismissive gesture.
"Yeah, they were never much to worry about. Okay, now, the Initiative. They're getting into straight lines, very dangerous, they can do them anywhere, but easy to disrupt, at least enough to let up the pressure. They're heavy handed and they try to seduce the artists with altars. Who'd fall for that?"
Monkey gestured with his nose. "That was a very long time ago," Harry said.
Monkey gestured again. "Well, yes, almost, but she's got Chain for that."
Harry waited a beat and said, "And of course you too. Anyway. The Vantage. They're clever and persistent. I don't think I can count on their pervasive nastiness to get in the way. And I just don't know enough about the last group, including what they call themselves. What do you think about the guy that takes notes on Wednesdays?"
Monkey rolled his eyes.
"You think that was a random outburst? I don't."
Moneky looked away, and then back to Harry, and trotted over to the boxes. He sniffed at the bottom of the front tier, and made a loud huffing noise before looking up at Harry again.
"Oh," said Harry. "I think you're right."
Later, he shifted all the boxes three inches to the left and switched several of them around.
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Nov. 24th, 2005 @ 10:27 pm Thanksgiving at Hugo and Josh's house
Hugo and Josh's house was up the hill, behind Amina Green. They were lucky in their house. It was on the sunnier slope of the hill, and below the level of the persistent fog layer that enveloped the brow of the hill so they usually had a view of most of the eastern Santo. It was a storied house, built in 1882 by a former slave who got rich from the persistent Gold Rush ripple effects. It was such a big house that at one time it had been carved into eight generous flats, but when Hugo and Josh joined the consortium who bought it, they remodeled it into four. Hugo and Josh had the middle floor, which had originally been space for a ballroom, dining room and kitchen. They had removed most of the partitions which had been placed there over time, allowing them to have a dining table which could be set for twenty. Though today it was set for twenty-four, with the help of a card table at one end. Hugo took the end with the card table, which allowed the others at the card table to feel as if they were not sitting below the salt.
Bella was thrilled to find herself across from Barris Mackey and two of his cohorts and spent most of her time trying to decipher what they were saying about art, politics, and life. Most of it was gossip about people she didn't know, though. Chain was not pleased to see that Hugo and Josh had followed the ancient practice of dsiallowing couples to sit together. But he relaxed about it when he discovered that his dinnermates were titillated to be eating with a rough-tough bike messenger. They kept teasing stories out of him. He did not lose his guard, much, and only regretted one of the stories he told, which was about the Knob Building.
Hugo protested when Bella brought in her creations, but Josh silenced him, pointing out how lovely and strange they were. Also, as it turned out, delicious, except for the one that attempted to recreate the Bay in kale and various other vegetables. There was just something wrong with the way that one was dressed.
"It was the Comrade sauce," Bella confessed later. "I thought, with a name like that, it would have to be good. But it's not."
The storyteller was at the dinner. Bella finally figured out who he was. He was the man at the Street Fair with the materials sample board. His name was Lars. Later Chain told her she shouldn't have asked him, but at the time it didn't seem wrong. They had a nice conversation after dinner about artists' materials. Lars had lots of suggestions.
Monkey raised hell with them when they got home after midnight. Chain went straight to bed, since he had to work the next day, but Bella stayed up another couple of hours, making fungi and herbivores for the Wheel
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Nov. 20th, 2005 @ 10:25 pm the neighborhood
Bella and Chain lived on Rojo, a streetcar street back of Santo Avenue, on the flat just below a hill topped by a huge satellite disk and another hill dominated by a magnificent fossil-ridden outcrop shaped like a Gaudi construction. The street was lined with three and four story buildings, most of them housing on the bottom floor small dark repair shops and stores carrying all of the needs of modern life . There was a botanica that gave Bella the creeps every time she passed it. There were two corner groceries, one Latin and one Asian, and a produce market with bulk grains and Italian packaged goods, and a sprinkling of restaurants. At the end of the street, Amina Street angled off sharply, containing a tiny park called Amina Green inside the point of the intersection, and across the Green, the Universal Cafe, which deserves an entry of its own, and will probably get one someday soon.
Besides the Open Book, the cultural needs of the neighborhood were easily met by several workingmen's bars and the Side Street Cinema, which was in two small shopfronts and boasted two screening rooms capable of holding perhaps seventy people each. This was one of those jewels which can only be supported in a true city. The two screens were busy from early afternoon through till midnight weekdays, and Friday and Saturday each had their own special midnight series.
All of these made the nameless subneighborhood of the Santo as close to self-sufficient as any. But the one thing that made possible Bella's life as an artist was Birdy's. Birdy's was a variety store. Its small street front was filled with cards and stationery, but the store opened up behind the other fronts on the block and ran from street to street crowded with supplies of all imaginable and many unimaginable kinds, boring to list but exhilirating to behold, especially for Bella who could count on finding almost anything she needed at Birdy's. Usually packaged in yellowed cellophane and bearing a faded price tag expressed in pennies and dimes. She was especially fond of the "loft," the upstairs of the main streetfront, and the basement, which was somewhat larger and made up for its poor lighting and excessive silence with dump bins, display tables, racks and shelves of amazing splendor. Buttons, especially, though Bella knew for a fact that a large corner was taken up with model railroad supplies, which was how she planned to represent Kingdom Planta on the Wheel of Animals, now conceived of as the Wheel of Organisms.
The stacked animals she was working on before she would save for another project.
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Nov. 16th, 2005 @ 12:09 pm Harry makes a plan
What the locals call Moneybags Park is a pocket park in the Financial District whose real name is Business and Industry Park. Its name comes from the statuary depicting civic leaders of the late nineteenth century. It is built on another reservoir. It mounds up like a natural hill. What very few people know is that the hill conceals a large chamber meant for a public meeting room but never properly finished. It does have leaky skylights which terminate among the statuary groups. It was meant to be paneled and floored in redwood -- first growth, as tight and hard as good oak -- and the prepared lumber for that did still exist, in miraculously good shape, in a drier back room. Why this matters will probably become evident later in the month, if things pan out as I think they will.
There's a thing that lives in that reservoir that has never been very happy as long as I've known it, but it's not inimical or anything. Just kind of miserable. Monkey has been there, and he thinks that the thing is miserable because of the denizens and the doings of the Financial District.
Chain likes to take breaks at the park, not only because it is convenient to his work, but also because what he likes to call the "penguins" -- the business workers whose deliveries he makes -- frequently take their lunches there and Chain likes to make them uncomfortable by lounging around in their territory, glorying in his outrageousness.
When Chain told Bella about this amusement of his she was puzzled -- how could anybody be made uncomfortable by Chain's presence? She thought he was just about the most comfortable person she had ever met. To her there was nothing outrageous in his looks or manners. Then, too, she didn't spend any time in Moneybags Park herself, because the men and women in power suits made her uncomfortable. As if someone would have her taken out of the park.
Bella is not especially overendowed with self-confidence.

Meanwhile, Harry Smith had been watching the customers going in and out of the bookstore with increasing irritation. They were taking unfair advantage of Hugo and Josh, who were excessively tolerant and welcoming.
And innocent, if you wanted the truth. Those men might live to be four hundred years old, and they'd still be innocent as the day they were born. Which was an advantage when dealing with entities like Monkey and Chain but did not help when the Factions were maneuvering around them. Harry could see why they were here. Each of them had a constituency that patronized the
bookstore -- mostly entirely unaware they were part of anybody's constituency -- and that made the ground both neutral and fertile. And then there was Harry himself. He knew that the Factions each had their ambitions regarding him, though they must have known he was opposed to them all and moreover he did not think he belonged in any of their machinations. After all, he was not only a mere human being, he was an outsider in anybody's terms, in any politics at all.
Normally, of course, he considered himself above even noticing politics, Factional, municipal, regional, national, or global. This time, though, he could see that Factional politics had become more immediately dangerous than usual, and he could also see some rather easy ways to spike the proceedings.Besides, they were messing with that girl, and he wasn't going to allow that.
However, the easiest way for Harry to spike the Factions was to mess with that girl himself. He wanted to keep it subtle, but when he saw the Mistress of Height and Extension come in to the store and approach Bella the second time, he felt he must take things more directly in hand.
"Listen," he said, affecting his normal sneering drawl but as sincere as he had ever been in his remarkably long existence, "Sometimes when it smells like a rat, it really is carrying plague."
Her eyes widened, not with comprehension, but with the understanding at least that he was very serious about her not accepting the commission from the woman she knew as Alida Westmore.
He figured he would probably have to explain everything to her eventually, but he thought she'd better be softened up by experience before he tried to get her to understand and believe what was going on. Chain, he figured, didn't need convincing. He had the soul of a mastiff, and all he needed to understand was that Bella, and the City, and the world they lived in, were in danger -- his instincts would take over from there.
Monkey already knew most of the stakes, and could be relied on, so long as he wasn't distracted by penny ante stuff like what was in Harry's boxes.
However, Bella was not the only artist under Factional pressure. Harry was going to have to go out among the art wanks. That was the milieu in which he could pick up the trail of the other artists who would be getting the same treatment as Bella. Though he had to admit, Bella, working in relative isolation, would look like a more likely subject than someone who had their artistic community established, he knew that the Factions would not put all their eggs in one artist.
And that is why Harry called Barris Mackey and asked for a ride to the Feuer Mansion Thursday night. Then he called Hugo and commanded a night off for Bella. Last he collared her in the lobby of their building and told her where she was going Thursday night.
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Nov. 16th, 2005 @ 12:21 am Lorem Ipsum
Here is where you can find the notes taken at the Wednesday Wanderings talks given by Harry Smith.

For comparison, here is a page from the Voynich Manuscript.

The Voynich Manuscript, so far as we know, does not mention chocolate.
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Nov. 14th, 2005 @ 12:06 pm The Secrets of the Masters
The Open Book had, in each section, a shelf or two of used books. They didn't do a lot of used trade, but kept their eyes open for special things: mostly odd and old and undervalued. Bella was straightening the art section when she found The Secrets of the Masters. She thought it must be misfiled, and picked it up to see if it was more of the occult texts she called "that weird shit," a conspiracy tome, or a fantasy fiction piece. It was none of those. It was a study of the techniques of Renaissance painters, and she was enthralled. She lost a half-hour before a customer's question caught her attention.
"Excuse me?" she asked. "I was a little distracted."
The customer was a regular that Bella recognized from the Wednesday Wanderings: the one who had critiqued her drawings. She just stood and looked at Bella.
"Can I help you?" she asked again.
"I certainly hope so," the customer said. "Mr. Banter says you're an artist."
"Kind of," Bella admitted. "I do art, and I've exhibited a little." She had: she had had a show at the Universal Cafe and had contributed to one at the Side Street Cinema. And she had sold pieces, too. So she had every reason to call herself a working artist, but she didn't want to be accusable of inflating her image.
"I was wondering if I could commission a piece," she said. "I was very impressed by your sense of form and pattern, in the sketches you were making during Mr. Smith's talk. You were following the sense of his discourse perfectly. Extrapolating it in two dimensions, really conveying the deeper implications of the concepts. I almost could have used your sketch right as
it was, with only a small amount of revision. You did not pause at the evocative, but went straight for the invocative, and that's not something you see every day, especially not in casual work."
"What did you have in mind?" Bella asked. Never mind that she had no idea what the woman was talking about, a commission was money, and it was also validation. Bella had the feeling that the customer's tangled paragraph was stereotyped jargon in some circles, but she had never heard art discussed in such terms before, except "form" and "pattern," which seemed to mean something different for the customer from what it meant to anybody else.
"Have you ever worked in three dimensions?" the customer asked, as if she really knew exactly what Bella did but wanted to pretend she didn't. But that was just appearances, surely. How could she know what Bella did? And why would she pretend she didn't know?
"I often do," Bella said. I think I work in three more often than two. Mixed media, generally. I do some work with found objects, but I don't just glue a bunch of junk together and call it art. Everything I do has a central idea to express, a principle of composition, and a technical plan, and they're all related. And everything I include has been through my
hands, it never reaches the final product unaltered. " She didn't say: I think of myself as an artist, not a collector, not a documenter of jetsam.
"That's precisely what I have in mind," the customer said. "I'm thinking in terms of a wreath-shaped object, about so big, and featuring organic forms of some kind. Not parts. Whole organisms."
The Wheel of Animals. How did this woman know about it? And since she knew about it, why wasn't she saying "I heard you're doing a Wheel of Animals, can I buy it when you're done?"
Bella wondered when and how and why she had become so suspicious. Must be Chain's influence, she thought. She was just about to confess to already working on such a project when the customer went on. "I was thinking -- I looked into the going rate for this kind of work, and
figured in that you are entry level, though I think you've got a lot of success ahead of you -- I was thinking three thousand. And materials. But you'd have to keep an accurate record of your expenses. I'd want to take possession immediately it's finished: I have a room I would like to install it in."
"I'd have to consider it," Bella said. "I generally like to show my pieces before they're sold."
"I wouldn't like to have it shown," the woman said. "I'd be worried about what strangers might do with it."
"Ah, Maria," Harry's voice drawled from behind Bella. "Slumming again, aren't you? Pity about those shoes."
Bella, puzzled, looked at the woman's shoes. They were completely unexceptionable old-fashioned specator pumps, not what Bella would ever consider wearing, but utterly ordinary for a woman of her apparent age and class and tastes to be wearing. Maybe Harry was talking about some other shoes?
"Well, they're appropriate," Maria said. "And they're effective, too."
"Not as effective as you'd like. I've got business with the young lady. Bring your book, Bella."
Harry's not my boss, Bella thought, fuming. But she caught Hugo's glance and it was clear he wanted her to go with Harry too.
They only went to the back of the store where the giftwrapping table was. "That lady is no more to be trusted than a newspaper," Harry said.
"Are you saying I shouldn't take the commission?" Bella asked.
"Do you want your artwork to be used by her?"
"Does it matter who owns my work?"
"Do you think so?"
Suddenly Bella thought she did think so. "Well, she did seem kind of creepy and demanding," Bella said. "Like she'd be hard to work with."
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Nov. 13th, 2005 @ 11:50 pm To the lighthouse
Thia weekend Hugo and Josh stuck Bella with the bookstore for the whole day both days. "It won't be too busy," Hugo said. "Christmas shopping isn't really under way yet."

Bella tried to argue her way out of it, but she found that she was trying to tell them she wasn't comptenet to do the job, and that did not appeal to her. She suspected it might be true but she surely didn't want anybody else to think so. "It's just too much," she finally said. "I'm just a part-time lackey!"

"You already said you didn't have any other responsibilities this weekend," Josh said mildly. "I thought you might be able to use a few hours of golden time at this time of year."

"Golden time?"

"Double the hours," Josh said. "It's what we're paying you for the weekend."

"But it won't even put me over forty --" Bella stopped, realizing she was undermining herself again.

Hugo just blinked at her. Josh smirked.

"If you want extra time off next week, make a proposal," Hugo said.

"I just don't understand why you want me to work the whole weekend by myself. You guys never do that."

"We're going to the lighthouse," Josh said.

Every year the great light at Perdido Point was lit for two hours to celebrate its anniversary. Between times a rotating electric lantern marked the point, but on this night a Coast Guard captain climbed the two hundred steps to the top of the lighthouse and lit the five wicks that burned within the giant fresnel lens made of a myriad of precisely ground glass prisms. Hugo and Josh had made a ritual of it for several years. They came down early in the day and checked into a priovate room at the hostel there at the lighthouse, spending the rest of the day wandering around the coast like any tourist couple with fat pockets. They had the requisite delicacies: artichoke soup, artichoke bread, deep-fried artichokes, artichoke salad, and for a change, kiwi fruit tarts with b;ackberry ice cream. They rambled on small beaches and scrambled on low cliffs. They critiqued windsurfers and poked around in galleries. They bought a fern in a handthrown pot and a very cool-looking though uncomfortable chair made of bent twigs. And they went back to the hostel, bundled up, and stood under the lighthouse drinking coffee while the State Parks historian told flat jokes and thanked a dozen collective entities for their help in putting on the event and keeping the lighthouse open for visitors.

The sun went down. The surf washed and growled and roared.

Eighteen hundred hours rolled around.

The rotating electric light was, to use the official term, exterminated.

The lighthouse stood in rusty darkness, its great fresnel lens grey in the mirk, for several impossible minutes while Josh became more and more convinced that something had gone wrong and the light would not be lit and the point would not be marked, and the sky was dark and cloudy and --

The beams reached out over the land and the sea, touching down in twenty-four places, illuminating the universe from the serene crown of the lighthouse. The surf hushed, slapping and whispering.

The light began to turn. The beams touched down like the fingers of a great protective hand, marking the land and the shore and the sea as protected space, safe for man and beast. There was no music, but Josh and Hugo both felt as if they were listening to the music of the spheres.

It was just a lighthouse. They walked away, to see it from other vantages, and when they got out of the radius of the beams, they no longer seemed to be reaching down to the land and the water, but up into the cloud-inhabited sky, where the moon and a solitary star lived.

WHen they were chilled right through and the light was about to be switched back to its paltry modern version, they returned to the hostel and retired to their private room.

Meanwhile, back at the bookstore, Monkey wasn't at all sure he liked all these customers coming in and out. He was pretty sure that some few of them were precisely the miscreants he always worried about, but he wasn't sure which onees they were. And meanwhile, after he met them, each of the customers seemed to belong to a different category altogether -- the category of potential colleages, the sort of person who might have something interesting to eat in their pocket.

It was confusing, and Monkey did not like being confused.
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Nov. 8th, 2005 @ 11:01 pm That Newsletter
Hugo Banter was very enthusiastic about his newsletter, but in the course of everyday work pressures he did not always have a chance to sit down and make it happen. He had a philospohy that with this kind of advertising one had a license to be as cute as one could manage. an obligation to be corny. So he cribbed clipart from everywhere, made silly puns, gave frivolous nicknames to serious topics, and generally made a fool of himself. He had a not so secret desire to produce a newsletter ever week, but experience had proved that twice a month was mopre than he could manage.

Here is the newsletter in which he announced the return of Harry Smith. Notice that the picture of Harry Smith was at least twenty years out of date -- Hugo had been meaning to catch a current photograph of him, but Harry somehow had a way of being elsewhere whenever Hugo had the camera.

Meanwhile Josh made sure the serious readers had something to do too.

Bella was worried about the election. She wasn't sure she remembered correctly having re-registered at the new address (which she sometimes still caught herself referring to as "chain's place," though it already looked more like hers than his, since his only visible artifacts in the place were his bicycle and a ricidulous multicolored clay bong he never used if he could get someone else to provide theirs). She went down early to be sure she would have time to go across town to her old polling place if necessary, but there was her name, and they gave her the stack of cards with the local propositions and the state initiatives and the obscure city officials on it. And she voted, proud of the fact that she had been able to muster enough information about every proposition, inititiative, and cadidate, to have some kind of opinion and be able to vote.

Chain made light of the whole deal, but Bella noticed he voted. And then used the happy red white and blue "I voted" sticker to tape a note to the refrigerator.

There would be bke messengers all through the apartment again while Bella worked the Wednesday Wanderings.

(Chain was determined to make something useful happen this week, even if it meant breaking some heads)
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Nov. 7th, 2005 @ 03:44 pm a package for the post office
Harry Smith woke up early, around 11:30 in the morning. He walked down to the corner store and bought a quart of milk, a boiled egg, a piroshki, and a package of bologna. He took these things back to his room and consumed them slowly over the course of the afternoon. Also early in the afternoon he opened one of his boxes, and while he slowly ate his breakfast, he took items out of the box, one by one by one, and laid them our singularly on his bare mattress, arranging and rearranging the things, studying them, nodding his head. He had a yellow legal pad on which he made a few notes, which at first glance appeared to be in the language of the Voynich manuscript.

Among the items were several looped pieces of string, varnished to keep their shape.

These items were the problem, he decided. He rummaged through another box and produced a padded mailing envelope which he addressed toThe Smithsonian. He plaed all the varnished tring into the envelope, sealed the envelope carefully, having drawn an elaborate symbol over the flap, and set out to cadge postage money from someone.

He met Chain on the front stoop, his bicycle slung over his shoulder. "Hey man, you got ten dollars?" he asked. "I got to mail this shit to the Smithsonian."

Chain made a face. "You ain't mailing shit to the Smithsonian," he said, but he dug out two fives and slapped them in his hand. "If it's junk, keep it to yourself. But it you get decent weed I expect a hit."

Harry just leered and went on to the post office. He thought it was odd that Chain didn't have Monkey with him, considering the time of day.
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Nov. 5th, 2005 @ 03:42 pm The Street Fair
The Upper Santo Street Fair was an established tradition. Over the years different streets had been closed for the fair, as it had grown from a block's worth to six blocks' worth of booths and festivities. The first weekend in November was getting pretty chilly, but as it was a daytime event, and very crowded, it was warm enough right there in the street.

Chain was interested in four things at the fair: getting into the booze block, listening to some loud music, watching girls dance, and making sure Bella didn't walk into anything with sharp edges. She was on the inattentive side, he thought, and ought to live in a world with padding on everything. Bella's opinion about this was that she had been taking care of herself quite well for a while, now, and that Chain was a sweetheart who worried too much and got underfoot sometimes and look, there's pretty girls dancing over there, why doesn't he go watch and let her go through the crafts displays at her own pace?

Which is why she was alone when she saw the "Famly Alter." She couldn't figure out whether that was a mistake or a deliberate misspelling, or whether the handwriting was meant to look so childish. The object was like and unlike her own work. It was the size of a large breadbox, a table made of rough cut one by twelves nailed together in the crudest way. Affixed to the table were an eccentric collection of small objects and many business card-sized placards with words on them. The words were things like "stop touching" and "listen" and "couch in the morning" and "Hot coffee."

"We make them to order," a voice said.

Bella looked up.

A woman who could have been Harry Smith's sister, lean, bedraggled, excessively wise and almost sneering, stood up from the rocking chair she had behind her table. "We take orders and make them to fit your family. We come over and observe for a day, and then we make an altar that alters your family. In a good way," she added, tentatively, as if she were not sure of that, and didn't care much whether it was true, but thought she ought to say it for the customer's sake.

Bella asked about that, and the woman gave her half an answer but Chain came back before she could finish her spiel. "Lunch time," he said. "Let's go get some of those teriyaki chicken wings."

The crowd was very dense and they were separated every few steps. Bella was determined not to let Chain keep her from seeing everything. So she stopped again when she saw the table where there were the display boards mounted with small materials samples.

"Ah, I was hoping to see you," said the genial man behind the table. He was large and his smile was larger. He almost seemed like he ought to be selling medical supplies to doctor's offcies instead of staffing a funky crafts booth at a street fair. Maybe he did sell medical supplies most of the time. He most certainly didn't look especially familiar to Bella. But she hesitated anyway to hear what he had to say. The display boards were interesting anyway. The one the man was holding up, now, that had a compelling familiarity she couldn't put her finger on.

"Just see what you've done already so far," he said. "You're doing a great job. You can see what comes next, can't you? It will be so easy and delightful. It's so obvious --"

At this point Chain appeared again, tugging on Bella's arm. "Let's go, Bella," he said. "There's a line at the teriyaki chicken wings and if we're going to get any before they run out we've got to go stand in that line."

Bella caught a last look from the main at the table, and the smile he gavce her weas way too knowing.
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Nov. 4th, 2005 @ 03:42 pm A couple of points about Chain
Chain was generally just a centimeter from peeved and a centimeter from blissed. He strove for a kind of bitter nonchalance but he'd lose it in some passionate access of rage or wonder and there he'd be, not cool again. Not that any onlooker knew. As far as the casual observer could tell, not only was Chain unfazed, but he was oblivious. He didn't flip the bird to the onboxious driver. You didn't see him scrape the side of their oversized vehicle. But there it was, etched a thousand dollars deep into the monstrous flank:"I PISS ON YOU."

It was a power, of sorts, though not exactly super.

He had a reason to distrust the two-egg breakfast coupon, though it was slight. He'd seen an oversized mockup of the coupon in an office he'd delivered to and he'd seen a memo, lying there for everyone to see -- and why was it printed out? Didn't these jokers ever hear of the paperless office? -- saying the purple numbers were going to be used for tracking. He didn't know and he didn't care what was being tracked, but he knew damned sure it wasn't going to be him or Bella.

Chain would just as soon nobody even knew he existed. He'd feel the same way about Bella, except that she had some ambitions as an artist, and you sort of can't get anywhere as an artist if nobody's ever heard of you. He had suggested to her that she work under a pseudonym but she had just looked at him blankly.
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Nov. 3rd, 2005 @ 11:27 pm (no subject)
That first Wednesday evening with Harry was amusing, but also alarming. Hugo and Josh had somehow managed to stick Bella with the whole event, after it had been announced in the store's newsletter as "Harry's Wedneday Wanderings." Harry's evenings were perfect fodder for the newsletter. Because the blogging service that Hugo had subscribed them to did not allow merchandising, Hugo barely even mentioned books in the newsletter. The newsletter was skimpy, consisting of non-sales events, gossip about the publishing industry and the clients of the store, and occasional oddball philosophy. Harry provided quite a lot of all of that.

So Bella had to line up the chairs, drag the lectern up from the storeroom, clear half a table top set the lectern on, and get a coffee and cookies table set up out of the way of the books and still handy to the patrons. The lectern didn't want to stay in one place. It fell at least four times before Bella finally got it settled. And then, when the evening got under way, Harry refused to use it.

"I'm not a preacher," Harry said, leering lopsidedly. There were teeth missing, and a couple of steel ones. Not even gold, much less porcelain resin.

Bella didn't understand the topic of the discussion. But she did notice that Harry's chosen audience -- which exactly fitted into the chairs, with one old guy left over who said firmly that he didn't like to sit even when there was a chair available, because it hurt his sciatica to do it -- these people ate up everything Harry had to say, and delivered questions with straight faces that Bella would otherwise have thought were nonsense nursery rhymes. Harry cocked his head at each question, then drawled out a devastating rejection of each question, before going on, as far as Bella could tell, to discuss -- something probably entirely unrelated to the question just asked. But only probably, as Bella could not follow any of it.

It was a jolly crowd though. And fidgety. Not a one of them sat still during any part of the evening. They twitched and bubbled, clearly overstimulated, and several of them knitted, or crocheted, and two of them busily made origami figures while apparently foillowing the whole arcane conversation.

Nobody made mention of All Soul's Day, which had just passed.
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Oct. 30th, 2005 @ 03:40 pm Reservoirs
What the people of the City don't know about their own home town would fill the fire safety reservoirs in every neighborhood. The reservoirs themselves are secrets from most of the people who live here. Not just the subtle, hidden ones, under the hills at Moravia Heights and the Outer Waitsee: but even the ones that rise as regular as truncated pyramids from the level of the street, crowned with cyclone fence and warning signs. The people walk by them as blind to them as they are to the chittering parasites in the wires overhead. What's in those reservoirs, besides water -- that, the people of the city don't know, don't want to know, and wouldn't believe if you told them.
Fortunately, most of all that is benign, or at the worst, and best, utterly unimportant to them. The thing that sings to the water: the thing that slithers through plumes of purifying chemicals in search of manganese: the thing that punches falling precipitates and jumps up and down on scale as it forms on the cement lining of the reservoir: in now way are these mysterious things fearsome to man, nor amenible to his study.
My neighborhood is called the Santo. I am a creature of it, a creation of it, I belong to it, but I am not bound to it. I am at home in Moravia Heights, or the Waitsee, or in Salsipuedes: there are no more mysteries there or in any other neighborhood than there are in the Santo. But the Santo is what I know, and the Santo is where I stomp the ground.
The reservoir of the Santo is at the top of the hill at Refugee Park. Its sides are hidden by thickly grown old junipers three stories tall. The park is so steep that nobody climbs to the top except the workers charged with its maintenance, and they only do it when they can't lie or stall their way out of it.
The Refugee Park reservoir is more alive than most. Strange fish and frogs thrive there, and in August, a curious bloom of algae that can't be killed by the usual chemicals. I've seen a snake there, not indigenous, but somehow flung here from the stagnant cricks of the faraway Gulf of Mexico. It was eating a mudskipper, but of course mudskippers don't live in the cement-lined reservoir.
Down below, on Merced Avenue, there are people who are as marvelous as the bright-faceted snake that swims in the Refugee Park Reservoir. That's what I watch for. I have my projects among them, as a gardener has her projects among the vines that escape along her fences.
That's how I've been thinking of it lately. Not long ago I was thinking of it more in terms of a long, drawn-out war, vital to be won, with all the odds against me. That wasn't much fun. Nobody likes being defeated before they start out. So I don't think about the end. Only about these projects.
Bella was a project of mine. So was Chain. It was amusing when I discovered they could be induced to become projects of each other's as well. Monkey was not a project of mine but I watched him. Harry -- well, how can an elemental figure like Harry be a project, even for me? There's not enough time in the world.
The bookstore? That's Josh and Hugo's project. Neither of them were ever a project of mine. They never needed my intervention, for on, and for another, anything you might say or do with respect to them they'd be likely to take in the wrong way.
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Oct. 29th, 2005 @ 11:05 pm (no subject)
Chain's real name was Charlie Dain. When Bella asked him where the name "Chain" came from, he was vague. She had gotten the idea that there was some incident, something involving violence and a bicycle chain.

The truth was much more prosaic. Many years before, when Chain was underage and bulling his way into the messenger gig, he'd been given the nickname because he'd gotten chain marks on his leg. That's all. It was because he was new at it, pushing too hard, and riding a bike that was too large for him. That had been years before, though. Chain was a senior bike messenger now. Most of the bike messengers were getting out of the scene after a few years. But Chain was less worn down by the work than most, probably because he didn't much buy into the rest of the messenger package -- the hard partying, bad self-care, lack of other interests. He was like any tradesman: took pride in his work, yes, and put in that extra bit, but he had a life off the wheel, and he was saving money. That was an accomplishment. It was hard to save money in the City. But he did. He didn't say what he was saving for. But it did have something to do with Bella.

Bella only saved money because she was with Chain. He had once suggested she was making enough to put aside twenty dollars or so a week, and she had started handing him three ten-dollar bills each week to stash for her. The first time she did this, he was puzzled. He frowned at the bills and asked her, "What are these for?"

"Savings," she said, almost gone again into the land of pattern and color, the place she properly lived whenever she didn't have to be somewhere else.

"Why did you give it to me?" Chain asked.

"Because you have a savings account," Bella said. "I don't."

"Don't you think you ought to have your own?" Chain asked.

"No, I think I shouldn't," she had said, with no further explanation. But Chain figured it out over the next few months. Bella was desperate to resist the encroachment of the practical world into her mental landscape. Faced with a pile of unwashed dishes, she would whimper, and it was even money whether she would fill the sink with bubbles or wander off to the room she called a studio, where she might stand, frozen, staring at half-finished works, or she might feverishly work for hours before emerging again, suaully not, in these cases, to return to the task of the dishes. Heading for the grocery store, she might forget halfway there on what errand she had originally embarked, and maybe she would, or maybe she wouldn't, be able to reconstruct it from the things in her pockets.

She didn't take all this as evidence of her noble creativity but of impending insanity. She would never admit it to Chain, but she had a feeling that if she organized her life so that she couldn't ruin it by being absent-minded, then she would not disintegrate too far. Chain figured this out, too. He thought that she'd go farther towards staying sane by doing the dishes without whimpering and by writing herself notes to keep from forgetting things. But there was no talking to her about it, because she'd worry about it, and apologize for all her lapses and some which Chain had not noticed and privately did not believe in.
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Oct. 28th, 2005 @ 10:39 pm (no subject)
Bella didn't think too much of Harry when she first met him. He had on his old junkie outfit and he was missing a tooth or two. He looked like a person who would smell bad, though he didn't.

Josh said, "Harry's going to be living in your building, Bella. That room in the back on the first floor." It was the only room left in the building. All the others had been combined into flats. The landlord was trying to figure out a way to market the flats as lofts, but so far they were just ad hoc apartments with plumbing in unexpected places and irregular patches of flooring.

"The same room as when he left," Hugo said with inexplicable satisfaction.

"That's some coincidence," Harry leered. "Not often a man leaves town for two years and his room's waiting for him like he never left it."

What Bella surmised is that for some reason Hugo and Josh had paid the rent on Harry's room for two years and Harry wasn't completely happy about it. Maybe he had expected to find himself a cheap apartment this time out.

Hugo Banter and Josh Billings were okay, as bosses went. They were pretty flexible about the odd break a person might have to take to go get birth control, and they even liked Monkey. Payday was sometimes late, but never by more than a day. Hugo cut the checks, and it seemed to Bella that he had given up trying to figure out her hours and total pay, because he gave her the same amount every week. That was all right with Bella after the initial bad moment because he actually paid her for more hours than she worked. Not that the wages were good. But it was clear that they weren't paying themselves much more.

Bella had been "doing" the children's book section for eleven months. Now Josh asked her to take up the art, craft, and music sections. He said she should work out how much more time it took and tell Hugo to adjust her pay accordingly. And then he asked her to ask her boyfriend Chain if he wanted to work a few hours in the store. Bella knew she wanted Chain to do it. If at all possible, she wanted him to take any job besides bike messenger. She didn't mind that it was a nowhere-leading job. She minded that every day he could get hit by a delivery truck and he had no insurance. But it was his choice, so she never said anything, not directly. She made grim jokes about accidents and their consequences. But Chain didn't mind. He made the same jokes himself all the time.

Hugo had a brilliant idea. Josh thought so. It was this: Every week Harry would give a little workshop about one of his many areas of expertise. People would come in to hear Harry, to talk to Harry, to ask him questions and maybe do a little project, and there'd be a stack of related books on a table and Bella would sell them the books. It would cost a little, in extra wages for Bella, and coffee and cookies, and a one-time investment in folding chairs, and money for Harry, but they were both pretty sure that the increased sales would more than make up for it. And they'd probably end up giving Harry the money anyway. He was very good at getting people to give him money.

This was all on Thursday night. The first one of these would be the following Wednesday, so Josh got to work on the bookstore newsletter.
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Oct. 27th, 2005 @ 11:44 am How Bella and Chain Met
Bella and Chain met cute. At the time it didn't seem that way. It seemed frightening, gruesome, humiliating for Bella and appalling for Chain.
The City's streets were laid out by sodden boosters who had heard rumors that Modern Cities had Rational Grids with occasional grand avenues cutting across them at mathematically precise angles. But the city lay at the nexus of really quite sincere slip faults, and it was dissected by a jumble of thrusting hills, which had disastrous effects on the grids. Streets that climbed straight up the steepest faces of hills and ended abruptly at sheer cliffs. Other hills where the streets gave up the attempt to meet their further ends and curled up to die in cul-de-sacs and pitiful urban oxbows.
Bella was bringing home her groceries on the back of her bicycle and she came round a blind turn going too fast to see that the intersection she came into ended in a short cement wall. It wouldn't have helped to see it at that point. She couldn't have stopped anyway. She was able to drop the bike before she would have hit the wall -- Chain said, much later, that it looked as if she would have gone over the wall. And on the other side of the wall was a drop, and the drop went down about four stories to a landscape of roofs which echoed the City's own.
Chain had a delivery and had just labored up the cross street. He saw Bella coming a half a block away and pulled up short so she wouldn't careen into him. He wasn't thinking of her safety at first, just his own. But when he saw that she was not taking the turn, much less making the turn, he dropped his own bike and started over to where he thought she was going to crash. So he was standing in just the right spot to take the force of Bella's flying tomatoes and one durian, which was poor payment for the services he rendered over the next several hours. She came out with her body only lightly damaged and her self-worth seriously bruised.
Chain did all the right things. His instinct was to lift her and cradle her -- which would not have been easy, as she was not a tiny girl -- and smoothe her bleeding brow. But he knew better, and while the lady with the big spotted boots made the call to 911, he checked her in situ and wouldn't let her get up. He knew what to check, and her signs were normal, but her gashes were pretty bad. She was pretty well winded, and let him keep her there until the EMT asked her some things and had her sign a paper. The only trouble she gave him was when he refused to let her get back on her bike. And that trouble was short-lived because some friend of her showed up with his delivery truck. The friend shoveled her, the bike, and what was left of the groceries into the truck and they grunted off, leaving Chain covered in tomato, durian, and her blood.
The friend was her boss, and he never explained how he happened to be on that street at that time, with a nearly-empty truck. In the truck, Bella babbled, about the street, the stupid stupid stupid way she had taken it, the fact that she was not harmed, the durian she lost, the guy who had gotten it all over him, and how was she going to thank him? She had no idea who he was.
Chain, who got the delivery in three minutes before the deadline would have passed and three fortunes destroyed forever, knew who Bella was, and where to find her, because the EMT had asked her those questions: "Are you okay? What's your name? Where were you going? What day is it?" She hadn't gotten the last one right, but only because she had thought it was Thursday all day. By the time it was Thursday, Chain showed up at The Open Book to ask about her, and the rest was almost inevitable, though Bella resisted and so did Chain.
Later Bella was as suspicious about Chain's fortuitous presence on that particular hill as she was about Hugo's, but his reason for being there was iron-clad and completely in character, which was unusual for him. Not much else he did was in character, even considering that he was a bicycle messenger, and bicycle messengers in this City are frequently rumored to be without character altogether. Anyway, as it turned out, it was Bella's presence on any given street corner which was questionable. Most of the time.

Bella moved in with Chain when she discovered that his flat was in the same block as her place of work. This was another fact which gave her pause once the role of coincidence in her life became of concern to her. But there was a reason -- which I will save for later. She liked th flat, anyway. It was a fairly large studio cobbled together of what had once been several minuscule single occupancy rooms in an old fleabag residential hotel, so there were windows every seven feet along an interior airshaft wall and more windows overlooking the street in front and the paved pocket handkerchief yard in back, so there was a lot of light for Bella's "real" work. She was an artist, and she had never had such a congenial place to art in. And Chain was easy about it, didn't want to dedicated some space to being entertaining space or something. He did not object to Bella's wholesome and creative young friends coming over but he wasn't about to invite any of his bike messenger comrades over for beer and profanity.
So that's how we find them, at the beginning, young lovers in their first flat in the City, watched over by Chain's dog.
"Why is your dog named Monkey?" Bella asked the first time she came over, but it was just a way of making conversation, since she figured that Chain had merely exercised his right to irony in this as in other matters.
"I don't know, I figure he pissed off the Buddha or something," Chain said. absently, concerned at the moment with imagining how Bella's belly would look with a piercing on it. A discreet little golden ring, he thought. Or better, a trompe l'oiel, with the appearance of a tiny beast emerging from her navel.
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